Parents & Community Connections
Note: All photos are click to enlarge for closer viewing.
Parents
I love working with stage parents. I know sometimes they get a bad rap in theatre circles, but I loved the support and help of parents. Ever since I was in middle school I worked on sets with my Dad and Mom and it became a family tradition that bonded us closer together. As an educator I wanted to encourage that sense of community and “family” I felt in my theatre experiences and wanted to include parents and community as much as I could.
My time as a Theatre teacher has provided me with so many amazing examples of families coming together and supporting their student technicians and performers. Entire families often would come on weekends, after work, and all hours helping to make sure the shows were successful and that everything was right for the entire production.
When it came to the shows the parents stepped up and helped with building and painting sets, organizing and building costumes, designing and implanting makeup, sound, lighting and use of microphones, ticket sales, advertisements, concessions, house managing, fundraising, backstage monitors and so much more. The parents at the schools I have served at have brought such love and support and I think fondly often upon the countless hours hot gluing costumes and building and painting away the day on a Saturday. The Stage Parents would take on so many of the roles and responsibilities often overloaded onto a single Theatre teacher and it was always greatly appreciated.
Wherever I have gone there have always been a supportive group of alumni, colleagues and parents there to support and encourage the work we do in Theatre. At a few schools we even honored parents at the Theatre Awards Nights with lifetime achievement awards and videos (such as the one to the right) thanking them for their hard work and dedication to helping Theatre thrive.
It is not a lie when I say at the bottom of every page “Powered by communities and educators like you” because it is so true that without parent and community support the work of doing the arts in schools becomes very difficult.
Community
When working in schools it is imperative to reach out into the community and build your program. As a Theatre teacher we need to market our shows to the community and build a name for our programs. It has always been one of my favorite comments to hear from audience members that the shows that are being produced and created are so much better than your usual “middle school" or “high school”shows. This high level of challenge and rigor that I, and everyone else working on the show, brings creates a feeling of something truly special and unique in educational theatre that is sensed and praised by the community.
I strongly promote the feeling of community within each theatre department. Having students go into the community to perform, recruit, promote and sell tickets helps to create a sense of community involvement. I try very hard to instill a sense of pride and ownership in what my students do onstage and backstage. This sense of pride creates noticeable differences in performance levels and ticket sales/audience numbers as well as community and school awareness and excitement.
Another way I have reached out into the community is through connecting my high school and middle school productions to the feeder schools in the network and beyond. When I taught middle school the 4th and 5th graders would come over and watch the shows twice a year and they were thrilled to see the older kids performing. As a high school teacher I engaged the middle schools and elementary schools again bringing them in for various performances and even developing curriculum for their students to do before and after the productions. The letters of appreciation and cheer we received from the students always put a smile on everyone in the shows faces.
Another way I have worked and connected with communities is through my work on shows at the community theatre in Aurora. I served a Technical Director and set designer for the production of Alice and Wonderland Jr. and as prop and costume designer/master for The King and I. After these productions I was hired as director and technical director of the Winterstage production of Cats. All three experiences involved working with parents and community members to produce excellent theatre.
Community is essential to a thriving program. Connecting to the community through advertisements, radio ads, posters, ticket sale competitions, and social media have been things that have all been successful for me in the past in building community support and audience numbers. It has been an honor to work in so many amazing communities over the years.